Vito Aiuto, on The Welcome Wagon’s first album (via wesleyhill)
There’s an essay by David Foster Wallace called Television and U.S. Fiction. It’s about how he thinks that irony is destroying fiction and has almost destroyed art in the West. It’s decimating it and has made a wreckage of our ability to interact with art. And at the end, he basically says, ‘Well, I think the next thing is going to have to be sincerity.’ And he says that it’s basically going to have to be a sincerity that goes through irony. Because you just can’t do sincerity anymore because it’s already kind of been ruined. So you have to pick the flower up off the floor and do something with it even though it’s been stepped on. You can’t find something that hasn’t been sullied by irony.
So it’s not lost on us that the packaging of the first record is kind of kitschy. But at the same time, for the first record, every single last piece of art on that record actually came from Monique’s grandmother’s house. She was raised in that, and everything on the record, we believe. It’s not like there is anything on that record that I would disown, or even the packaging. Some of it is overtly earnest and even kitschy, but I am pretty much ready to stand by that stuff. I think this is true of a lot of people; I’m really tired of irony. I’m tired of sarcasm. I’m tired of interacting with my friends, where we make fun of each other to show each other that we love each other. I’m totally scarred by that. I’m tired of it and I don’t want to do it. I really just want to make music that’s really honest and is almost embarrassingly sincere.